Transcendentalism? (Poem)

Transcendentalism?
(for Catlin Lowe, with a smile)

Browning starts his “Transcendentalism”
with the command:  “Stop playing, poet!”
and here he (not Browning) stands, with his stark-naked thoughts,
embarrassingly enjambed, undraped in sights or sounds,
and Browning speaks to him.

Shouldn’t he just speak prose?
Stop making meaninglessly metered thoughts?

 He would, if he could, yield to the breaking in
of the sudden rose—

live pliant fleshy
nose-fascinating blooming
red,
fragrant slow-motion boom!

But he cannot do it, let the sudden rose break in
over him, under, round him on every side.

He can only speak dry words.
He should stop playing poet.

Merleau-Ponty’s Ocular Body (Poem)

Another in my series (?) of poems about phenomenologists.

merleau-ponty

 

 

 

 

 

Merleau-Ponty’s Ocular Body

Aristotle’s illustration

In the De Anima:

Imagine that the eye were a whole organism—

Then sight would be its soul.

A good enough illustration, I suppose,

In context.

But then you read Merleau-Ponty,

You watch him strain to see, see,

To see with his entire body, his integral being,

And you do not have to imagine anything:

Sight is his soul.

Tall Grass (Poem)

Tall Grass

1.

Small boy

Seven or eight

Hair so white blond

A blue jay will chase him from the barn

Strafing his head, hoping for hair

For a nest, presumably.

2.

Lessons

In the countryside:

A toy rifle with a scope,

A fresh gift.

Small toad

Caught, thoughtlessly dropped in the scope

And wedged, hopelessly, in the scope’s pinched middle.

Helplessly, trying to unwedge the toad

Without maiming it or killing it,

Unable to do so,

Small boy

Throws his gift, and the toad still alive, still wedged,

In the now sightless scope,

Into the tall grass down the hill from the fence.

3.

Later,

Small boy

Looks for his kitten,

Missing for several days;

And is led by his nose,

Trailing mounting fear,

To a dark spot beneath a workbench

In an outbuilding.

There

Small cat

Is found, rotting, its head

Somehow gotten into but unable to get out of

A mason jar, rolled from among canning supplies,

Underneath the bench.

Unable to bear

The thought of the cat’s death, not to mention its final moments,

Small boy

Throws partially jarred carcass

Into the tall grass down the hill from the fence.

4.

Big boy,

I wonder now about

That tall grass

Down the hill

From the fence,

That tall grass,

About whether it still hides

The guilt-edged horrors of my childhood:

Toy guns and toads, mason jars and kittens,

Knowledge of fate and death.

Leavings (Poem)

Leavings

New Orleans
a city to walk in
so a city to write poetry in

The streets are poetry
Toulouse
St. Louis

Music tie-dyes the air
and neon

Heard on the street (one man yelling to another)
–“Can you make the sun shine?”
–“Yes, but it is a six-week process!”

A woman leans weightlessly against a door     Galatoire’s
her dress quintessence
her skin pink alabaster
black hair and violet eyes
(Vivian Leigh made contemporary but farther south)

Another woman sings jazz bravely
in the shadow of Irma Thomas’ statue

Overcast February Saturday
damp beignets
powdered sugar dusts a child’s cheeks
some spilled on the ground
sweet sorrowful leavings

A little hard to say goodbye to the Big Easy

In the Distance (Poem)

In the Distance

In the distance I saw

a girl, slim and small, green eyes

and braided hair.

And I loved her then,

maybe I didn’t know it,

but my bones did, and my eyes

(my mind is always last to know).

She was in the distance, across

a large room,

dressed in a light turquoise dress

and white shoes

Eventually, reckless and anxious,

I asked her out in muttered stages:

“Do you know who I am?”

“Do you find me radically offensive?”

“Will you go out with me?”

She answered:

“Yes.”

“No.”

and “How old are you?”

Then, relieved and suave

(as I thought),

I answered:

“I’m not as old as I am.”

Yes, that was nonsense,

but as is often true in the times of

crucial experiment in our lives,

we bridge from one understanding

of who we are to another via some paradox

or other, some unintended piece of prophecy.

For indeed I am not as old as I am still,

just as I wasn’t then, in the distance of the past,

and the woman whose life interpenetrates mine,

who is as much the author and finisher of all I have done

as I am, synergistically, my lover and fellow-worker,

has lived with me, and lived with me, for these many years.

I still stand before her as I did then, hat in hand,

overcoated against the world, flustered and inarticulate,

lost and found in the distance of my own thoughts, talking

nonsense when I should be not be talking;

but, as she did then, she smiles at my mumuration, and now bids me back

to her, to all that we have been and are and shall be together,

as it all trisects the present

Today

I recall the advent of her

in the distance

A Bit of Henry Bugbee

Great bit of Bugbee from Ed Mooney’s blog.

Mists on the Rivers--

Tuesday, January 15, 1963

 

No wind stirs.

At Zero Fahrenheit the flakes of snow are not at all large.

Incredibly lightly and unwaveringly they fall.

A myriad of them  fills our meadow round the house.

One sees them best looking at the trees beyond.

Their falling accentuates the still-standing trees, the dark trunks.

And the still of the trees is the nearness of  falling snow.

Occasiona11y, in the meadow, a weed nods and lifts again.

The low fire on the hearth is even more discreet.

 

Henry Bugbee, A Way of Reading the Book of Job

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Reading Husserl, Or Wandering About in the Panopticum Waxworks (Poem)

Reading Husserl Or, Wandering About in the Panopticum Waxworks
for my phenomenology students

I have been reading
Husserl

or I think I have;
it’s hard to tell

to tell the difference

I confront his pages
in sternly receptive fashion
hoping for a clear sentence

one that will carry clearness a little further
and make the page more than a motley of wanton arabesques

I want, I guess, for my intuitive presentation
of the physical appearance of the words
to undergo an essential phenomenological modification
(that’s rather a mouthful)
so that the words begin to count as expressions
(Mean something, dammit!)
and I can understand

my meaning-intentions cry out
for meaning-fulfillments

“For the earnest expectation of the creature
waiteth for the manifestation of the sons of God.”

Reading well,
I have been told,
is reading true books
in a true spirit—a noble exercise

But here I am in a sweat
reminding myself:  no pain, no gain
lifting long sentences weighted with imponderable German words,
the unintelligible unlightness of being-Husserl

And it may be
that the books of
the great poets have
yet to be read, and that because
only a great poet can read them

And so it may be
at least by that math
that I am no great phenomenologist

I haven’t as many eyes as Husserl

Poetry Reading, Jan 16, 2013

I read out some of my poetry tonight at The Gnu’s Room. Here’s a recording. Unfortunately, I forgot to hit ‘record’ until a couple of sentences into a passage from Dylan Thomas I used as preface.

Link (A .caf file–you’ll need QuickTime Player or some such)

On the Eve of the End (Poem)

On the Eve of the End

On the eve of the end, the Mayan-made end of all things

I sit and drink coffee, writing and reading, unwilling to meet coming darkness sleepy with unmarked pages

On the eve of the end, the Mayan-made end of all things

I sit and worry about whether I should worry, scarring my final hours with wide-awake meta-worry

On the eve of the end, the Mayan-made end of all things

I sit and notice that no one seems too worried really, unable to see the dark comet hurtling at us

invisible, uncoated with ice and stone, heaven’s stealth weapon

On the eve of the end, the Mayan-made end of all things

I sit and wonder if I shouldn’t have outgrown my Mayan stage in junior high, counting vigesimally

–we are at about 5 in our countdown from 20 to nothing-at-all, a real zero

On the eve of the end, the Mayan-made end of all things

I sit and ponder Max Stirner, who set his cause on nothing, and consider what he would have thought

since both his ego and his own, and all the hell else, are about to be naughted, regardless

of whether they are naughty or nice (A Christmas Apocalypse, Dec 21)

“I have been so naughted in Thy Love’s existence that my nonexistence is a thousand times sweeter than my existence.” Rumi said that, and I have stood in his place and looked up at

his turquoise dome beneath the azure Turkish sky, the latter about to darken and the former about

to fall

On the eve of the end, the Mayan-made end of all things

I sit, and I wait, and I expect

nothing

Radiotherapy–Jake Adam York (Poem)

Radiotherapy

Because they lived near the signal tower,
voltage purring like a church
before the preacher starts,
or because she’s talking
in the very middle of the noise,
the doctor says to pray,
to radiate The Word of God into the boy
and recall each fallen cell
to the righteous body, but all he hears
is grandma’s story, how at night,
if you hold your radio close
you can hear the dead whispering through.
She explains how her sisters
wired their mom’s old Silvertone
after she had passed away,
braiding her hair in the speaker’s leads.
She says that if he listens
he can hear her sisters arguing
over every static’s peak, her mother
saying Time to go to bed.
She starts again.
In the distance someone’s asking
why it won’t stop hurting,
and the church is working like a round,
everyone trying to start
something new,
but all anyone can say
is what they’ve said before,
old stories, old prayers
all that’s breaking through.