More on Abiding in Hope

Abiding in hope…

Ed Mooney, over at Mists on the Rivers, has been mulling over the Heidegger passage I posted yesterday, as have I.  The passage fascinates me in part because so many paths intersect in it:  one from Socrates and his avowal of ignorance, one from Eckhart and his working-out of contemplation, one from St. Thomas and his condemnation of curiositas as a form of cognitive intemperance, one from Neitzsche and his linking the will to knowledge to the will to power, one from Husserl and his plying of the reduction, one from Marcel and his ideal of secondary reflection, and one from Wittgenstein and his contrast of explanation and description.

I cannot rise to the level of Ed Mooney–but let me say a bit more about the line from Marcel.  Marcel distinguishes primary from secondary reflection by distinguishing between what we might call their ‘objects’, problems and mysteries.  There is a lot to say about that distinction, and I have toyed with it on the blog a time or two (here for example).  But a key idea is the idea of investigations that are, as it were, self-willed, where the investigator stands above, over and against, what he investigates, and one where the investigator is ‘object-willed’, moved to consideration of what she stands enmeshed in, alongside, and which calls out to her for consideration.  We might say that in the first case, the investigation proceeds in light produced by the investigator, in the second, in light produced by the ‘object’ investigated.  (Marcel works a far-reaching change on the popular understanding of mystery, which he regards, not as a darkness that overwhelms, but as a light that is blinding, –at first, but that becomes eventually the light in which we see light:  think of Christ on Mount Tabor.)  Heidegger seems to understand some things as worthy of thought, as calling out to us to think them, and to think in relationship to them.  Curiosity all-too-often is something that we project upon the world–we think about what we regard as worthy of thought, instead of what calls us out of ourselves and into thought.

There seems to me little doubt that Walden (to hook up with Ed’s reflections) is not only a book about but a book that exemplifies secondary reflection.  And I think that secondary reflection is at play too, albeit in different ways, in Socrates’ unknowledge, Echart’s contemplation, St. Thomas’ studiositas (the contrast to curiositas), Husserl’s reduction and Wittgenstein’s descriptions.  It seems likely true even in Nietzsche’s transvalued knowledge.  For all of these, the relationship between the investigator and the investigated transforms the investigation, and that must always already be on the mind of the investigator.  The world does not bumble around us, a flattened pother of objects indifferent to their investigation and that we investigate willy-nilly as we choose, but  instead structures and variegates itself around us, featuring objects that call us to thought and objects that do not.  And what they reveal to us is not a matter of what we take from them but of what they give us, sometimes only after we have earned it by abiding in hope before them, listening even to their silence, waiting for them to speak. What we ‘know’ of them in such moments is not something that we can commodify, something that we can learn by banking on our own conceptions of reasoning about them, our own ability to wring answers to our questions from them.

Didn’t Aristotle push us this way, too, long ago, when he noted that the problem of method is entirely (note that word) determined by the object?

Abiding in Hope: Heidegger

This passage of Heidegger has been rolling around in my head all day.  It must be connected to something else I have on my mind.  Lord willing, I will eventually figure out what that is.

Thirst for knowledge and greed for explanations never lead to a thinking inquiry.  Curiosity is always the concealed arrogance of a self-consciousness that banks on a self-invented ratio and its rationality.  The will to know does not will to abide in hope before  what is worthy of thought.  –“A Dialogue on Language”

Easter Day, Robert Browning (Poem)

Here are the opening lines of Browning’s awesome “Easter Day“.  Although my primary intent is eventually to say something about the relationship between Browning’s dramatis personae and Kierkegaard’s pseudonyms, I thought it might be useful to preface that with a bit of Browning speaking, as it were, in propria persona, and speaking in a way that, to anyone who knows Kierkegaard, will sound remarkably familiar.  The poem is a dialectical tour de force, a deep and deepening investigation of all the ways in which faith is denatured, each a way of making it easy or easier to be a Christian.

Easter Day

HOW very hard it is to be
A Christian! Hard for you and me,
—Not the mere task of making real
That duty up to its ideal,
Effecting thus complete and whole,
A purpose or the human soul—
For that is always hard to do;
But hard, I mean, for me and you
To realise it, more or less,
With even the moderate success
Which commonly repays our strife
To carry out the aims of life.
“This aim is greater,” you may say,
“And so more arduous every way.”
—But the importance of the fruits
Still proves to man, in all pursuits,
Proportional encouragement.
“Then, what if it be God’s intent
“That labour to this one result
“Shall seem unduly difficult?”
—Ah, that’s a question in the dark—
And the sole thing that I remark
Upon the difficulty, this;
We do not see it where it is,
At the beginning of the race:
As we proceed, it shifts its place,
And where we looked for palms to fall,
We find the tug’s to come,—that’s all.

Immortal Openings, 12: John Fowles, Daniel Martin

The first sentence of one of my favorite novels, maybe even my favorite (certainly it, along with John Gardner’s Mickelsson’s Ghosts, is a contender for Favorite Contemorary Novel):

Whole sight; or all the rest is desolation.

If you don’t know the remarkable prose poem, “The Harvest”, that is the first chapter of the book, do make its acquaintance soon.

Fowles was influenced by Teilhard de Chardin, who writes in the Forward (“Seeing”) to The Phenomenon of Man:

. . . the history of the living world can be summarized as the elaboration of ever more perfect eyes within a cosmos in which there is always something more to be seen. After all, do we not judge the perfection of an animal, or the supremacy of a thinking being, by the penetration and synthetic power of their gaze? To try to see more and better is not a matter of whim or curiosity or self-indulgence.To see or to perish is the very condition laid upon everything that makes up the universe, by reason of the mysterious gift of existence.

I would add something about Iris Murdoch and vision, but I suspect my readers can supply the requisite something themselves.  (I will add that I find the ‘fit’ between the  de Chardin passage and various passages in Merleau-Ponty worth pondering–and it further suggests thinking more about Fowles’ novel in light of Merleau-Ponty’s understanding of vision.)

And Now for a Moment in Kant’s Imagination…?

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From Asher Moore’s “Existentialism and the Tradition”:

In Kant’s synthesis, transcendence was prior, existence derivative.  There is one place in his thought, however, at which it looks like he might reverse this order.  This is the concluding section of the Dialectic.  Leibniz’ pretensions to knowledge of self, other selves, and God have just been disposed of.  We have not yet been told, except in asides, that those realities are still there, busy changing into their second-act costumes.  Here on this watershed, and for just a moment, there is a sense that God, self and other selves are indeed present, but present as absent, as ideals and lures, as almost empty memories.

If one were determined to find nothing new in existentialism, to hold it derivative through and through, I think one would derive it, not really from Hume–who, except to the eyes of fondest affection, is too one-sided–but from this particular moment in Kant–this moment when, in Kant’s imagination, Hume stands alone on the battlefield, the unchallenged victor, but suddenly and poignantly moved by the grandeurs he has struck down.  For existentialists, transcendence, the ontological dimension, is present, but taken in its own inner sense, per se, it is present as an ideal, a standard of comparison–something regretted or hoped for, heard or plighted–a brave, comic pretension.

Browning’s Influence on Philosophers

A bit of a side-step here.  I want to write about Browning and Kierkegaard, but I thought I would first mention something about Browning I find of interest.  Browning decisively influenced the thinking of a number of philosophers.  Let me mention two–Josiah Royce and William Temple.

Now of course Temple is not known as a philosopher; he is known as Archbishop of Canterbury (1942-44).  But Temple was trained as a philosopher and wrote philosophy (some I have previously mentioned on the blog).  Browning’s work was never far from Temple’s mind.  Proof of this is the stamp that Browning’s “A Death in the Desert” had on Temple’s understanding of the Gospel of John, itself the primary object of and impetus for Temple’s reflections throughout his life.

Browning was also, and perhaps more surprisingly, a constant stimulus to Royce.  Royce, so far as I know, mentions Browning far less often than does Temple, but he was perhaps as deeply indebted.  (Royce’s style, unlike Temple’s, makes little room for the direct use of poetry.  It is not that Royce’s style is wholly unliterary–it is not–but rather that it lacks the open texture of Temple’s.)  Certainly, prolonged contact with Royce’s works on Christianity reveals Browning there, supplying much of substance and almost all of the atmosphere.

I make this side-step really just so that I can underscore something about Browning’s poetry that engrosses me–it’s potential to be taken up into prose reflections, to supply something like theses or claims, remaining all the while, and unmistakably, poetry.

Critics sometimes seize this potential of Browning’s poetry and use it like a stick to beat him, presumably thinking that poetry that is so available to philosophy must have somehow or other (form not inseparable from content?) failed as poetry.  But I think that no one can deny that Browning is a poet unless that denial is theory-driven–specifically driven by a theory that has nourished itself on a one-sided diet of examples.

In Tenebris (Thomas Hardy)

Reflecting on this poem today in preparation for a new essay.  Fascinating final word.

In Tenebris

Wintertime nighs;
But my bereavement-pain
It cannot bring again:
Twice no one dies.

Flower-petals flee;
But since it once hath been,
No more that severing scene
Can harrow me.

Birds faint in dread:
I shall not lose old strength
In the lone frost’s black length:
Strength long since fled!

Leaves freeze to dun;
But friends cannot turn cold
This season as of old
For him with none.

Tempests may scath;
But love cannot make smart
Again this year his heart
Who no heart hath.

Black is night’s cope;
But death will not appal
One, who past doubtings all,
Waits in unhope.

Kierkegaard, Browning and Dramatis Personae

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I’ve been reading Browning for the last two or three years–but only here and there, a little at a time.  He’s like strong drink:  in the right amount, he sweetens and deepens experience; in the wrong amount–too much–he overwhelms experience, making it too easy to lose oneself in the various dramatis personae on offer.  But what has been on my mind lately is the systemic and instructive similarity between what Browning is doing in offering his dramatis personae and what Kierkegaard is doing in offering his psuedonyms.

Browning plots his course in various places, Book III of Sordello, in the Epilogue to Dramatis Personae, in intrducing The Ring and the Book and in Fifine at the Fair.  He aims to be a “Maker-see”, not just a poet who tells you what he sees but rather a poet who causes the reader to see:

See it for yourselves,
This man’s act, changeable because alive!

He takes it that we simply do not possess the requisite moral imagination–call it a negative capability–for really understanding the lives and the aliveness of others:

Action now shrouds, now shows the informing thought;
Man, like a glass ball with a spark a-top,Out of the magic fire that lurks inside,
Shows one tint at a time to take the eye:
Which, let a finger touch the silent sleep,
Shifted a hair’s-breadth shoots you dark for bright,
Suffuses bright with dark, and baffles so
Your sentence absolute for shine or shade.

Human beings are not always in their Sunday best or Saturday worst.  Browning wants us to catch a glimpse of the “bustle of a man’s work-time”, to see what the man or woman sees on a middling Monday, to see how hard it is to categorize when we attempt to realize the concrete spiritual drama of an individual’s life.

Once set such orbes, –white styled, black stigmatized, —
A-rolling, see them once on the other side
Your good men and your bad men every one
From Guido Franceschini to Guy Faux,
Oft would you rub your eyes and change your names.

…The inward work and worth
Of any mind, what other mind may judge
Save God who only knows the thing He made,
The veritable service He exacts?

Browning believes his work will be of value for so long as the soul of a person remains precious to us.  Now Kierkegaard works a slightly different angle, but it is importantly related in its technique.  He too wants to be a Maker-see.  He wants us to confront the concrete spiritual drama of the lives of others.  But the lives he dramatizes are lives we are meant to see as objects of comparison with our own–they are meant to lead us to  self-confrontation.  No doubt Browning’s dramatic monologues can and in fact often do the same, but that does not seem to be their primary purpose.  We might say that whereas Browning wants us to awaken to the mystery of others, to the littleness of our understanding of others; Kierkegaard wants us to awaken to the mystery of ourselves, to the littleness of our understanding of ourselves.  I suspect, though, that the two tasks are inextricably related, and that their being so is one reason why often Browning seems like Kierkegaard and Kierkegaard like Browning.

I plan to pursue this comparison across a few post in the next week or two.