Where Heidegger talks about “world” he will often appear to be talking about a pervasive interpretation or point of view which we bring to the things of the world. This, in any case, has been the view of many commentators. But there is little sense in speaking of “a point of view” here since precisely what Heidegger wants to indicate with the concept is that none other is possible. And there is no more sense in speaking of an interpretation when, instead of an interpretation, the “world” is meant to be that which can keep us from seeing, or force us to see, that what we have is one. Heidegger’s concept is quite like Kierkegaard’s “sphere of existence” and Wittgenstein’s “form of life,” and, as with them, it enters his inquiry only at its limits, when a problem moves out of his depth, or jurisdiction.
To consider the world in its length and breadth, its various history, the many races of man, their starts, their fortunes, their mutual alienation, their conflicts; and then their ways, habits, governments, forms of worship; their enterprises, their aimless courses, their random achievements and acquirements, the impotent conclusion of long-standing facts, the tokens so faint and broken of a superintending design, the blind evolution of what turn out to be great powers or truths, the progress of things, as if from unreasoning elements, not towards final causes, the greatness and littleness of man, his far-reaching aims, his short duration, the curtain hung over his futurity, the disappointments of life, the defeat of good, the success of evil, physical pain, mental anguish, the prevalence and intensity of sin, the pervading idolatries, the corruptions, the dreary hopeless irreligion, that condition of the whole race, so fearfully yet exactly described in the Apostle’s worlds, “having no hope and without God in the world”–all this is a vision to dizzy and appall; and inflicts upon the mind the sense of a profound mystery, which is absolutely beyond human solution.
What shall be said to this heart-piercing, reason-bewildering fact?
I used to spend pleasant hours with my teacher, Lewis White Beck, talking about our favorite writers. He introduced me to Cardinal Newman, and to the glories of Newman’s Apologia Pro Vita Sua. Who has ever written more perfectly controlled English prose? Here, a piece of prose to range alongside Samuel Johnson’s The Vanity of Human Wishes. Consider the opening ten lines or so of that great poem.
Let Observation with extensive View,
Survey Mankind from China to Peru;
Remark each anxious Toil, each eager Strife,
And watch the busy scenes of crouded Life;
Then say how Hope and Fear, Desire and Hate,
O’erspread with Snares the clouded Maze of Fate,
Where Wav’ring Man, betray’d by vent’rous Pride,
To tread the dreary Paths without a Guide;
As treach’rous Phantoms in the Mist delude,
Shuns fancied Ills, or chases airy Good.